The stories of Kichizo and Paprika.
--------------------- Subject: Kichizo The following is excerpted from _Horses in Japan_, Vivien Kenrick, JA Allen (c) 1964 and seems to be a translation from a separate Japanese text. _Horses in Japan_ is a so-so book, mostly short passages about past and present (to about 1964!) horses in Japan, mythology, stories, present uses, etc.. Printed in Japan for JA Allen. I bought it as a clearance title from Robin Bledsoe, as it was cheap and had the magic text string "*horse*" in it... ------------------------------------------------------------ "Earth and Soldiers." From "Wheat and Soldiers" by Corporal Ashihei Hino. Translated by Baroness Shidzue Ishimoto. October 28, 1937 Aboard the (Censored) Maru. Dear Brother: Again today, there is the blue sky and the blue water. And here I am writing this while lying on the upper deck of the same boat. I wish this were being written at the front, but not yet. All I can tell you is about the soldiers, lolling about the boat, the pine groves and the winding, peaceful line of the Japanese coast. What will be our fate? Nobody knows. The speculation about our point of disembarkation is still going on. Rumors that we are bound for Manchukuo are gaining strength... This sort of life, while it is bad for the men because it is too easy, is even worse for the war horses, down in the hatch. They have been stabled below decks, in the dark and unhealthy hole(sic). Sometimes, you can see them, clear down in the hold standing patiently in the darkness. Some have not survived so well. They have lost weight. Their ribs are showing and they look sickly. (ed note: During shipping of horses to the British in the Crimean War, almost half of the shipped horses died enroute if they were unlucky enough to be shipped by older transport ships. There are a lot of unpleasant stories about shipping horses by sea.) They have the best in food and water. Actually, they get better care than the men. Does it surprise you to know that, in war, a horse may be much more valuable than a man? For example, the horses get all the water they need. On the other hand, the supply of water for the men is limited, barely enough for washing, let alone the daily bath to which we are accustomed. (ed. note: US President Lincoln once wistfully wished he could exchange a division of soldiers for an equal number of horses, the carnage of horseflesh was so great during the American Civil War) From that standpoint, the horses are much better off than we are. But the poor creatures have no opportunity for exercising, breathing fresh air, and feeling the sunlight. They are growing weaker. With my own eyes, I have seen a number of them collapse. I never looked at a war horse, without thinking of poor Yoshida Uhei, who lives on the hillside, back of our town. In my memory, they are always together, just as they were before the war ever came. It is impossible to disassociate one from the other. Perhaps you do not remember Uhei. He was a carter. He had a wagon, with which he did hauling jobs. His horse, Kichizo, drew it. (ed note: the "o" is Kichizo has a long vowel mark over it) In all my life, I have never known such affection between man and animal. Kichizo was a big, fine chestnut, with great, wide shoulders and chest, and a coat like velvet. It used to shimmer in the sun and you could see the muscles rippling underneath the skin. Uhei cared for Kichizo like a mother with a baby. I suppose this can be explained, as least in part, by the fact that Uhei had no children. He was already past forty, but his wife had never conceived. Undoubtedly, Uhei long ago gave up hope of having a child. So all his affection turned toward Kichizo, the horse. You have heard fathers brag about their sons? In a way, he did the same thing about Kichizo. "What strength!" he would say, "and yet how gentle he can be. He's a dear fellow, that Kichizo, even though he is so big and strong." Then the war came. It came clear down to our little town, into nooks and corners of the country, taking men and horses. Kichizo was commandeered by the army. When he heard the news, Uhei was speechless with surprise for a while. I remember it very well. "The army needs your horse, Uhei," someone told him. "It is for the nation." Uhei looked at the speaker with dumb disbelief in his face. His eyes were frozen, uncomprehending. "Don't worry," they told him, "Kichizo will be all right. He isn't a cavalry horse. He won't be in any danger. They'll use him behind the lines, to pull wagons. It won't be anything different than what he does here. and the army takes good care of its horses. They're very important. don't you worry about him." Uhei turned away without speaking and began to run toward his home. He broke into a dead run, like a crazy man, and we saw him disappear behind the bend in the road. "He'll be all right," someone said, "after all, it's only a horse." That same afternoon, Uhei came back to town. He looked different then. He was smiling and his eyes were shining, and he swaggered around the streets. "Have you heard the news?" he kept saying, "Kichizo, my horse, is going to the war. They need big strong fellows for the army, so of course Kichizo was the first horse they thought about. They know what they're doing, those fellows. They know a real horse when they see one." He went to the flagmaker and ordered a long banner, exactly like the ones people have when a soldier is called to the war. "Congratulations to Kichizo on his entry into the army," this banner said, in large, vivid characters. Uhei posted a long pole in front of his house, high on the hillside, and attached this banner. It streamed out in the wind, where everyone could see. Uhei was bursting with pride. As soon as the banner was up, he took Kichizo out from the field and pointed up to where it floated gracefully above the house. "You see that, Kichizo," he said. "That's for you. You're a hero. You've brought honor to this village." Meanwhile, Uhei's wife, O-shin, was carrying this human symbolism even further. She bought a huge piece of cloth and began preparing a "thousand-stitches belt" for the horse. (footnote: the "thousand-stitches belt" is a talisman, with red threads sewn by well-wishers for a Japanese soldier when he leaves for the front. It is supposed to protect him from wounds.) This cloth that O-shin bought was big enough to cover four or five men. When she stood in the street, asking passers-by to sew a stitch, the all laughed, but they did it. She had a needle that she borrowed from a matmaker to do such a big piece of work. When the stitches were all in, she herself worked all through one night, finishing the belt. It was very difficult, with such a big needle, but she finished it. They put the good-luck belt around Kichizo's middle, just as though he were a soldier. At the same time, Uhei visited a number of different shrines in the neighborhood and bought lucky articles. O-shin sewed them into the belt. And finally, he gave a farewell party and invited all the neighbors. Uhei was not a rich man and he couldn't afford it. If he had any savings, they were all spent that night. I was among those he invited. I took as a gift, a bottle of wine. Most of the guests were already there, in Uhei's neat little house, by the time I arrived. They were in good humor, laughing and drinking. Uhei was excited and bustling around, seeing to everything. His eyes were glistening. "Yes, it's rare to find such a wonderful horse," he said. "You seldom find a horse with so much spirit and intelligence and at the same time so strong and vigorous. Oh, he'll show them! I'm so happy. Have a drink! Have many cups of wine for this happy occasion!" There were tears rolling down his cheeks as he spoke and the bitter salt mingled with the wine he was drinking. Everyone was making a noise, laughing and talking and roaring jokes. O-shin kept hustling in and out of the kitchen, bringing hot food and warming the wine. She was a plain little thing, drab, I used to think. But that night, smiling and exuberant, she seemed transformed and almost beautiful. When the party was at its height, Uhei suddenly jumped up from the table and ran outside. We heard the heavy clomp-clomp of a horse, walking through the front yard. And then, through an open widow, (sic) Kichizo's long graceful neck came in. His head stretched all the way to teh banquet table. He looked at us gravely; I again had the feeling that he knew all about this occasion, and knew it was for him, and what it meant. Uhei ran into the room again and threw his arms around the horse's neck, and gave him boiled lobster and some octopus, and poured the ceremonial wine into his mouth. "To Kichizo," he cried. "Dear, brave Kichizo!" We all stood and drank and roared "Banzai!" three times. It must have seemed a little silly and sentimental. Yet, Uhei had inoculated us all with something of the love he had for that horse and it seemed natural enough to us. In the later afternoon of the next day, I saw Uhei at Hospital Hill, returning from the army station. He had delivered Kichizo to them. I spoke to him, but he seemed not to recognize me, nor to have heard my voice, for he walked on a few paces. Then he turned and acknowledged the greeting in a distant, absent-minded sort of way. He looked haggard and sickly, as though he had lost his strength, and he left me hurriedly. All he said was "Kichizo has gone." later, someone told me how he brought the horse to the station. It was a terribly warm day. So Uhei took his own grass hat, cut two holes in the side for Kichizo's ears, and put it on the horse's head. Poor Kichizo, that heavy "thousand-stitches belt" must have been very warm and uncomfortable in such weather. Besides, Uhei had decorated him with national flags, so that he looked like some sacred animal on the way to dedication at a shrine. I suppose he felt just that way about him. O-shin accompanied them, holding the reins, as they walked to the station. It was a curious and sad little trio, the man and woman with that great sleek horse in its strange attire, walking slowly down the hillside, through the village and up the other side. Everyone watched silently. No one laughed. At the army station, a good many other horses were already gathered together in the yard. They had been examined by the army veterinarians before being accepted. Now they were merely waiting to be taken away ton the train. No one knew just when it would come. O-shin left immediately, but Uhei stayed and stayed beside Kichizo, patting its hip and running his fingers through its mane. At first, the soldiers laughed, just as the people in the village had done. But they soon saw how Uhei felt about his horse and then they told him, kindly. "don't cry, Uncle. It's a great promotion for your horse, isn't it? He's going to serve the nation now, instead of pulling a cart around the village. That's something, isn't it? Well, then, cheer up. Besides, he'll get better care in the army than you could ever give him. Don't you worry. He's going to be all right." So they tried to console Uhei. Nevertheless, he stayed until dark. Early the next day, he was back at the army station, fussing over Kichizo. Of course, there was nothing to be done. The army grooms had already cared for and fed and watered the horses, but the poor man wanted to see for himself. He clucked around Kichizo like a hen with its chicks. Not that day, nor for several days afterward, did the train come to take the horses away. I was quite a distance from Uhei's house to the army station, but he came every day, faithfully. He came early and stayed until dark. At last the fatal day came. All the horses were loaded on the train and taken to the harbor, where they went aboard the transports. Uhei went along. He went as far as they would let him and then the grooms again told him not to worry, and promised they would take good care of Kichizo. He bowed, eyes brimming with tears. He bowed and bowed, and could only mumble, "Thanks, thanks, very much." As the boat moved out of the harbor, he ran up to a bridge overlooking the water. It was high above th water and he stayed there until the very smoke from the steamer had vanished beneath the horizon. He waved his flag and shouted, "Kichizo," until he was hardly able to speak. And he kept his eyes riveted on the spot where the ship had disappeared. This is all I know about the story. When I was called to the front, he was the first to come and wish me luck and help me with my preparations. On the day I left, he come again to the harbor and begged me to look out for Kichizo. "You know him," he said eagerly. "You couldn't miss him among a thousand horses. Anyway, he has a small white spot on his left side and, on the opposite hip, the character 'Kichi' is branded. You couldn't miss him." "If I see him, I'll be sure and write to you," I said. "Remember, he's a beautiful reddish chestnut," Uhei continued. "Yes, tell me if you see him. And please say something to him about me. That would seem strange to you, wouldn't it, talking to a horse? All right, but just pat him on the nose, once or twice." It seems cold and unkind of me, but only once have I asked about Kichizo since I came aboard this boat. The groom said he had not seen any such horse. Nor have I, although I have not tried to examine all the horses. But when I see one of them fall sick and die, and then go over the side to the small boat, I cannot help but recall Uhei. For his sake, I hope nothing like this has happened to Kichizo. (end of letter. Typos except as marked are mine.) -------------------------------- This is all there is of the letter. There is no further information. So what ever happened to Kichizo? Go back and look at the date at the beginning... (this was about the time of the invasion of either Korea or China by Japan. We all know how this war eventually played out. It is not clear if the story is true, although it reads as if it is. I find the story a real tear jerker... maybe Kichizo found a good home, although that is extremely unlikely.) --------------------------------------------------------------- Subject: Paprika Excerpt from a letter written by a German soldier of WWII; original translation in Time/Life books on WWII. Full text see P.xx-yy (title). Salient commentary: 50K horses killed to prevent their falling into the hands of the advancing Soviets. Much other equipement was also destroyed; most of the soldiers were successfully evacuated (unlike in other theatres where hundreds of thousands died with what horses still remained). --------------------------------------------------------------- One might say: these stories are excellant arguments against violence and warfare. Yes, that is indeed the case. But, one should not fall into the trap of squealing "Peace in our time!" (Neville Chamberlain); desparately trading for security with those with boundless ambitions. Shortsightedness is evident from the British and French insisting that the Czar and the Duma continue to pursue the Great War with Germany (the Bolsheviks took over, the Soviet Union stopped fighting, and millions died under Stalin not to speak of the Russion Civil War during the transition); the "Allies" trading of territory (Czechoslovakia et al) for a transient peace with the megalomaniac Adolf; and "3rd string" political team in Indochina after WWII which failed to give the Vietnamese the promised freedom from French colonialism (promised for fighting Japan, eventually there were 50000 US casualties and millions of Vietnamese casualties). Both militarism and pacifism are failures, leading to untold suffering. It should also be born in mind that Clauswitz was pretty much correct about economic warfare; almost all conflicts are basically economic at their roots although the proximate spark and the superficial trappings may lead one to believe otherwise. American Civil War: North vs. South economically (the Northern carpet baggers rewrote history as if Slavery was the main issue) WWII: crushing burden of reparations from the Great War provided a fertile ground for organizations to arise to remove the shackles Og: Og leads his band of warriors to conquer the neighbors so that they have to work to support him, his offspring, ...